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The Prisoner Nummer 6
SPEEDLEARN
NUMMER
6
nach stichwort
THE PRISONER
by keyword
MUSIK
SAGT ALLES
MUSIC SAYS IT ALL
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4 | 5 | 6 |
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| 13 | 14 | 15 | 16 | 17 | 18 |
| 19 | 20 | 21 | 22 | 23 | 24 |
| 25 | 26 | 27 | 28 | 29 | 30 |
| 31 | 32 | 33 | 34 | 35 | 36 |
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| 43 | 44 | 45 | 46 | 47 | 48 |
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| 145 | 146 | 147 | 148 | 149 | 150 |
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BEWEGEN SIE DEN CURSOR
ÜBER DIE ZIFFERN!
No.
12:
You don't believe it. A university level degree in three minutes.
No. 6:
It's improbable.
No. 12:
But not impossible.
No. 6:
Nothing is impossible
in this place.
No.
12:
Nicht zu glauben. Ein Universitätsabschluss in drei minuten.
No. 6:
Unwahrscheinlich.
No. 12:
Aber nicht unmöglich.
No. 6:
Nichts ist unmöglich
an diesem ort.
"MUSIK
SAGT ALLES"
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OHNE WORTEDie dialoge in NUMMER 6 sind oft kurz und knapp und deuten eher an als erklärungswütig oder gar geschwätzig zu sein. Dieser aspekt der wort- oder dialoglosigkeit wird personifiziert in der figur des (mutmaßlich) stummen Butlers. Einzelne episoden kommen streckenweise ohne dialoge aus, die episode "Herzlichen Glückwunsch" sogar nahezu über ein drittel der laufzeit. Bei reduziertem musikeinsatz sind die abwesenheit von menschlicher sprache, das geschrei der seemöwen und mehr oder weniger authentische geräusche von wind und wasser neben den bildern bestimmend für die wirkung. So etwas ist rar im fernsehgeschäft. Die dialoglosigkeit ist in der seriengeschichte des fernsehens allerdings nicht ohne vorbild. "Fall ohne Worte" ("The Silent
Caper", 1960) aus der ungemein beliebten US-serie 77 SUNSET STRIP ist für eine kommerzielle fernsehserie, die ganz erheblich auf zündenden dialogen aufbaut (und
für den deutschen sprecher von Kookie, Hans Clarin, war dies der karrierestart) eine einzige absonderlichkeit.
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"MUSIC SAYS IT ALL"
Much has been written about Ron Grainer's brilliant PRISONER title music. Less, on the other hand, about the use of further music pieces in the series. Which falls into two main categories, source music and incidental music.
The first being music the source of which can be located within the set or the action itself. The "Radetzki March" certainly is the most prominent piece in this respect. It is often played by the Village Band. The latter kind of music is mainly designed for colouring or enhancing the action or the mood. This music either comes from public libraries or is specially composed for the series."
MORE: "MUSIC SAYS ALL..."
NO WORDSThe dialogues of THE PRISONER are mostly dense and tight thereby rather hinting to their meaning than being descriptive or too explanatory. The aspect of the absence of spoken dialogue is personified in the character of the (presumably) silent Butler. Instances of absent dialogues in episodes can be found while over almost one third of its running time the very episode "Many Happy Returns" comes with no dialogue at all. Use is made instead of reduced music, and apart from the images it's the absence of human talk as well as the presence of more or less authentic sounds, the seagulls crying, the wind and the water conveying the overall impression here. A rare feat within the realm of TV business. The absence of dialogues in TV series as in this case, however, isn't a unique thing. "The Silent Caper" (1960) one episode from the extremely popular US production 77 SUNSET STRIP, is a real oddity considering that this series was in fact heavily dependant on the sparkling lines between their characters. Not one single word is heard throughout the episode, just the ordinary noise. Although the action is a bit contrived it is nonetheless cleverly made. Every character by chance misses the other, is interrupted on dialing on the phone and instead leaves a written note on the table. There is even a fight showdown but never a spoken sound (!). Somehow hard to grab but it works.
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