The Prisoner Nummer 6

The sediments at the bottom of television: series and serials, omnipresent and almost as infinite as the medium itself. Few only were successfull in touching the underside of our attentiveness.
UNWAHRSCHEINLICHE GESCHICHTEN ("Improbable Stories") was one that did, the classic TWILIGHT ZONE.
Anything associated with the expression TV-magic applies to this.

Phantastic television of the sixties, among other things, is one conjuring formula:
"Be seeing you!" or
L'année dernière
au Village:

CONTRIBUTING AUTHORS:
(GERMAN KNOWLEDGE REQUIRED)

AUTOREN
DAVE BARRIE
FRANK T. BITTERHOF
TOBIAS BECKER
M. KEITH BOOKER
MICHAEL BRÜNE
ANTHONY DAVIS
PATRICK DUCHER
ROBERT FAIRCLOUGH
HOWARD FOY
GUILLAUME GRANIER
LARRY HALL
HARALD KELLER
ROGER LANGLEY
MOOR LARKIN
KEVIN P. MAHONEY
RICK McGRATH
JANA MÜLLER
STEVEN RICKS
CHRIS RODLEY
ZIAUDDINE SARDAR
CHRISTOPH WINDER
VALARIE ZIEGLER
 
INTERVIEWS
DAVE BARRIE
TIM BOURNE
MAX HORA
STEVE RAINES
BERND RUMPF
MIKE TOMKIES MIT
PATRICK McGOOHAN
WARNER TROYER MIT
PATRICK McGOOHAN

 

 

Even years after the first screen appearance many people would remember THE PRISONER as the series with the white balloon.

 

The white ballon that can be seen during the opening and closing sequences emerging out of the sea and drifting over the shores according to the episode "The Schizoid Man" is called Rover. This episode did not play in German until the year 2010. And it even has an important supporting role.
It is only in the first episode "Arrival" that the thing, for once, is called Hystero in the German version. This is actually "Be still!", the command to all Village inhabitants/inmates to stand still without a move. Otherwise they would be in danger of being suffocated by Rover in a horrific image. Here Number 6 receives a demonstration of Rover's abilities.

An underwater test tube seems to Rover's place of birth. On appearing he is recognized acoustically by some impressive dinosaur-roaring noise.

Futuristic and cleverly visionalized, Rover is the absolutely synthesized embodiment of the ever-present oppression in the Village and a symbol of the double character of progress. This watchdog patrols the Village borders, paralizes and catches fugitives. Internally it is utilized to establish and enforce the rules. Quite a lot of pictures show Number Six driven by Rover from behind.

WORSHIPPING? THERAPY? INSTRUCTIONS? UNSOLVED MYSTERY IN "FREE FOR ALL"

Rovers final realization, though, was rather improvised by the props department.
According to the script of the day of shooting - which is supported by old photographs - Rover was a hemispherical unmanned mechanical vehicle with no windows and a rotating police light on top of it. Thus it was to roam the Portmeirion streets and beaches.

But within the very first test shots in the Village it became obvious that this would not be working. The team had imported a vehicle on a go-kart basis which was much too disproportionate and could only be driven on solid ground. Because it was too heavy it used sink into the estuary sand. Elaborate shots were impossible to accomplish - as the dreaded watchdog it was all but ease and unpredictability. Besides, driving proved torture for the person inside, with the sun shining and the way ahead hardly discernible.

Ultimately in shape, Rover is said by some to be McGoohan's idea while others hold it was one of the team: in fact, passing weather balloons must have been the prime source of inspiration. But in front of the camera they wouldn't display their skills. They were too lightweight and tended to vanish in the sky or were easily damaged. So tests were made, they were partly filled with water to improve their bouncing behaviour and to receive a better control in navigating them.
Eventually, what was most important in order to get the best performance, an almost invisible thread was attached to the balloons, they were dragged and the sequence was screened in reverse.

It is this simple explanation why the Villagers had to stand motionlessly while Rover was at large. In the history of movie mistakes and continuity errors there is also one particular scene where, on passing Rover, smoke is seen returning into the chimney - for those watching closely...

...those watching closely will surely discover Rover's "birth" graphically brought to the eye by the Rover mini replica, the famous Lava Lamp. One piece can be seen in Number Six' flat, another one in Number Two's control room where scenes of the Rover coming-to-life can also be spotted occasionally on the big wall screen as a kind of screen-saver.
By choosing this piece of artwork as a prop the PRISONER producers proved their understanding of forms and artistic taste and their fine sense in recognizing contemporary artistic trends.

This designer artwork piece was created in 1963 by one Edward Craven Walker who intoduced it as the "Astro Lamp". In 1965 it was marketed in greater scale as the "Lava-Lamp". Technically it's a glas container with heated up wax in a special liquid forming bubbles which will then rise upwards, cool down, sink and rise again.

There are many sources to be found on the web.

 


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  "Wir sehen uns!" oder L'année dernière au Village · The Prisoner · Nummer 6

 

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WIR SEHEN UNS! D
BE SEEING YOU! E
THE CAFE
FREE SEA
OLD PEOPLE'S HOME
CITIZENS ADVICE BUREAU
WALK ON THE GRASS
6 PRIVATE
2 PRIVATE
GENERAL STORES
TOWN HALL
LABOUR EXCHANGE
COUNCIL CHAMBER
BAND STAND
CHESS LAWN
www.match-cut.de
TEXTS ON FILM

FREE INFORMATION
SIX OF ONE · 601 D
THE VILLAGE D
CAMERA OBSCURA
WHO IS NUMBER 1?
THE NEW NUMBER 2 D
"ORANGE ALERT!"
VILLAGE FACT FILES
"MUSIC SAYS IT ALL"
McGOOHAN INTERVIEW D
"ARRIVAL" SCRIPT
SPEEDLEARN DIR
THE TALLY HO D DIR
Nr6DE FRIENDS & SUPP.
THE PRISONER WEBLINKS
TV-MAGIC WEBLINKS
IMPRESSUM | FEEDBACK

ARRIVAL
THE CIMES OF BIG BEN
A. B. AND C.
FREE FOR ALL
THE SCHIZOID MAN
THE GENERAL
MANY HAPPY RETURNS
DANCE OF THE DEAD
CHECKMATE
HAMMER INTO ANVIL
IT'S YOUR FUNERAL
A CHANGE OF MIND
DO NOT FORSAKE ME...
LIVING IN HARMONY
THE GIRL WHO WAS DEATH
ONCE UIPON A TIME
FALL OUT